Gear List

 

Console:

   Trident Series 65 (52 in / 16 out), 8 aux. sends.


Recorders:

     Computer Based Digital -

        Pro Tools HD 3 Accel: 24 in, 24 out Digidesign 192 converters.

        Alesis Masterlinks, 2 channel, (4 units).

        Apogee Rosetta analog to digital 2 channel converters.

        Marantz 630 CD-R Recorders (2 units).

     Analog -

        Otari 2" 24-Track MX-80 / Dolby SR/A.

        Otari 1/4" 2-Track MTR 12 / Dolby SR 363.

        Tascam, Sony, Teac & Ampex 1/4" 2-Tracks.

        Teac 122 and C-3 Cassettes (4 units).

     Tape Based Digital -

        Alesis 16 / 20 bit ADAT's (5 units) with Alesis BRC Controller.

        Panasonic 3700 and Sony 55ES DAT Recorders.

       


Microphones:

        Neumann – U-67 (tube), U-87, KM-84's (2).

        AKG – C-414, C-3000's (4), 451's (2), 460, D-112 (2).

        RCA 44's (2), AEA R-84, Beyer M-500.

        Shure SM-81's (2), 57's (6), 58.

        Electrovoice RE-20's (2), RE-15's (2).

        Sennheiser 421's (2).

        Sony 33-P

        Crown 30-GP PZM.


Mic Pre-Amps:

        Neve (Averill) 1272's (4).

        Avalon 2022 (stereo), 737 SP (tube).

        Telefunken V-76.

        Demeter VTMP-2B (stereo tube)

        Focusrite Greens (4),

        Aphex 107's (4).

        Drawmer 1960 (stereo).

        Sony 286A

        Behringer Ultragain 2200 (stereo).

        …(total of 21 channels external mic pres).

 


D.I.'s

        James Demeter Tube Direct's (2), Minicube's (3), 4 others.


Outboard Gear:

        Reverb – EMT 140 Tube Plate, Lexicon 200 Digital, Orban 11-B Spring.

        Equalization – Manley Massive Passive (stereo tube), Avalon 737 SP (mono tube),

                               Orban 672A and 622B (2) Parametrics, Behringer Dual 31 band graphic.

        Compression/Limiting – dbx 165's (2), dbx 166, dbx 286, Avalon 737 SP,

                                              Drawmer 1960 (stereo tube), Behringer Multicom (4 channels).

        Gating – Drawmer DS 201 (4 channels), Furman (12 channels), Audio Logic (8 channels).

        Multi-EFX Units – Lexicon MPX-1, Lexicon Vortex, Line 6 POD, Alesis Quadra-Verb II,

                                    Alesis Wedges (4), Alesis Midi-Verb II, Zoom Studio 1204, Yamaha SPX-90 II,

                                    ART SGE Mach 2, Roland DEP-3.

        Misc. – Delta Lab 1024,2048 Delay Lines, MXR Stereo Chorus (2), MXR Flanger, Orban 536A 2 channel

                    De-esser, Deneke SMPTE generator & reader, Roland fader and mute automation (15 channels).


Playback:

        Tannoy PBM-8 II stereo and surround 5.1, JBL Decade, EV Sentry V's, Yamaha NS-10's, Optimus 7's,

        Auratone Sound Cubes (1979).  Crown, BGW, Panasonic power amps.  Headphone cue:  AKG, Sennheiser, Sony,

        Audio-Technica headphones, 4 mono or 2 stereo cue mixes.


Musical Instruments:

        Kawai 7'4" Grand Piano with Jim Wilson MIDI out.

        Hammond B-3 with Leslie 122 rotating speaker.

        Yamaha Motif ES Sound Module & Fatar 61 key MIDI controller.

        Juno 60, Arp Strings, Yamaha CS-15 and FB-01 Synthesizers.

        Guitar Amps:  Fender Pro Reverb & Bassman, Ampeg Gemini II, Pignose.

        Bob Moog Theremin.

        LP Congas, Bongos, shakers and other percussion.

        Complete trap set with 3 snare drums, floor and 2 mounted toms.

       


Room Dimensions:

     Main Recording Room:  22' by 18' main room – floating oak floor and drum & vocal booths.

     Control Room: 18' by 14'.

     Sloping ceilings in both rooms from 10' to 14' high.

     Private lounge and reception areas, easy load-in and plenty of free parking.

     

Thursday, June 20, 2013

Connections: